Nieman Lab pointed out in a post last year that relevance and visibility is tough for publishers because of so many platforms on which they need to exist. “This is a winning combination; a distinguishable brand across multiple platforms that speaks directly to a desirable, niche audience will create meaningful exposure to new audiences as well as a pathway for more engaged and loyal readers.”
Now, before you begin your complaint about exhaustion, let me put a finger to your lips. Chill. I have stressed to many authors before that their individual brand relevance determines the number of social platforms they will need to maintain. In other words, you don’t have to be on every single platform. If you have taken the time to understand your audience, and quantify that audience using analytics of some kind, you will logically toss away a few social platforms in order to focus on where your readers thrive. Work smarter, not harder.
For example, if you write paranormal romance novels, and your readership is made of female readers between the ages of 25-45, you can already start deciding on some platforms, such as Pinterest and Instagram, over others. Better yet, if you have ever surveyed your readers, asked them questions about what sites they use or investigated some of their habits causally, you can make that list of sites even more specific. In some cases, that data may lead you to Snapchat.
Snapchat matters right now because people (especially users older than the original Millennial first adopters) are starting to adopt it. Statista published projections of Snapchat user penetration for the US from 2012 to 2020, and it’s clear to see that it’s likely to stay very relevant.
So, if you have determined that your readers are using Snapchat, then it’s time to use it. In my case, I have a lot of anecdotal data to show that many of my readers who connect with me on Twitter and Facebook are also on Snapchat. I have also learned that part of my following includes males who are early adopters of technology; during the years I was social editor at Ars Technica, I think a few of those readers came along for the ride with my novels.
A Wonderful Case Study